The manual is 25 pages or so, I did not read through but it looks pretty clear.Īs explained above, Ultramiximizer version, there are only two buttons: Threshold and Ceiling. I did some tests (with Ultramiximizer) in Cubase SX and Adobe Audition, it works well partfaitement. Once it works, just read a page of the manual and follow its instructions to maximize a mix in 30 seconds. In short, I've never met an app too complicated to install! It is only thanks to the support that I'm out! In my case, I have to click somewhere wrong beginners because I never russi validate my cl APRS dozens of tests.
It must indeed CRER an online account, register his cl launch the software licensing, which will connect to the site in question, copy / paste the squence of challenge / response to the web and software. The installation of the cl is no problem but the approval process is complex, even by reading the documentation carefully. However, this key is not sold by Waves so you have to find it elsewhere, which adds about 50 bills dj dirty enough ($ 600 is just under 500 for the Native version) !
Indeed, even if BMD works fawn unlimited for 15 days after the license purchased, is an obstacle course to allow the plug-in!ĭj must know it is not enough to buy the license (as I have done online), it is also and necessarily a possder cl manager type iLok licenses. Installation is no problem which is not the case for "permission". It exists as a "native" (VST, DirectX, etc.) And TDM (ProTools). Ultramiximizer which is a simplified version of the plug-in, with only two buttons. Multimaximizer is complte version that allows to work on 5-band frequency drives vsts will always be alive.元 is a plug-in's main objective is to maximize the level of a sound mix for its dissemination (including CD mastering). I think the Kratos 2 is a "cleaner" limiter that can be pushed harder than an L2, personally. It's old tech, they've made LOTS of money from it, and it is very long in the tooth. It shouldn't cost more than $29.99 if you were to ask me.
I've Mastered countless songs and projects with it. Currently, DAW's like Studio One offer a fleet of plug-ins that are every single bit as useful as most of their Waves counterparts and sometimes even better = Therefore, in the current market, it's hard to pay what Waves are asking for. If some Waves plugs were cheaper, it would get more of their products in more peoples hands, and people would legitimately opt to buy them and not pirate them, like MANY places do. Indeed, the good ol' L2 should be cheaper for what it is. The L2 shouldn't cost more than $29.99 if you were to ask me. I've always found that MClass is on a par if not better than L2. Keep in mind too that the L2, despite its high quality, is getting pretty long in the tooth now, so it shouldn't just be thought of as "it's really expensive, so it must be better". However the MClass will always to a decent job Lowlifebware wrote:I tend to use the MClass as a 2nd choice because I now use Ozone Maximiser. My personal favorite Limiter in the Reason world, is the Kratos 2 RE. I've even said before I think Reason needs a simple Limiter like an L2 it's been called the "Maximiser" too long, and actually has had a marked affect on the Reason users crowd as far as how quickly they've been able to grasp the concept of what limiting is because of the nomenclature. I too have hundreds of hours using a good ol' L2. To lower the L2 threshold, with the maximizer you actually have to crank the input up until you reach your desired Gain Reduction and sound.īravo = Very well explained. The attack works as in a compressor, try all an judge what sounds better for your material The release is the same as in L2 but only with 3 settings FAST, SLOW, and Auto that I think it is similar setting as ARC in L2.
I usually turn Soft Clipping on and leave it as default, but you should try and find what suit you best, I think it adds saturation. Set the output to your target value - the Ceiling in L2